Online internet courses by Call of the Page

Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.

Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.

Call of the Page (Alan & Karen)

Friday, January 25, 2013

Standing Up For Freedom, Matthew Hammond, the Stand Up Philosopher



Matthew Hammond, the Stand Up Philosopher, presents a unique show, following the course of the over-used concept of freedom. 

From ancient times to modern thinkers, the history of the idea is traced in a sequence of inspirational performances that unpick the concept that we think we know so well, and show it in a new and fascinating light.

Always powerful, sometimes hilarious and at times shocking, philosophies are shaken from their covers and brought vividly to life as Matthew Hammond jumps about, making theatre out of all those books you meant to read but never got around to...

"Dynamic, dangerous and highly original."
performance poet and Wondermentalist Liv Torc.

"When something special comes along, and you might not have the chance to witness it ever again, you've got to get your skates on, and catch it!"
 Alan Summers, With Words (Director)

TWO EVENTS :

At the Northcott Theatre Exeter as part of the Laugh Out Loud Festival:
Sun 3 February 2013
8pm in the Theatre Bar

Tickets: £7.50
Concs: £5 
Age: 12 yrs+
Running Time: 2hrs
Box Office: 01392 493493


And at the Bierkeller Theatre in Bristol on Monday 18th February:

Standard Seated      £8.50    
Concession Seated  £7.00
Details
Doors & bar open: 19:30
Show starts: 20:00


Lots of cool quotes and weblinks and YouTube further below!

Matthew Hammond the Stand Up Philosopher is presenting a new show 
called Standing Up for Freedom. Matthew is an exceptional and one-of-a-
kind performer. Original yet historical, profound yet entertaining, he 
has built up an audience for Stand Up Philosophy at Taking the Mike at 
the Exeter Phoenix, has showcased it across the south including at 
Bristol's Acoustic Night, Oxford's Catweazle Club, and Covent Garden's 
Poetry Cafe, and has appeared at many festivals including sets at the 
HowTheLightGetsIn Festival of philosophy and music in Hay-on-Wye, and 
the PowWow LitFest in Birmingham.

This new full length show charts the concept of freedom from Ancient 
Greece to the present day. Ideas are shaken from their covers and 
brought alive. Each piece involves condensing a philosopher's main 
dilemma or a philosophical text's main tenet from the history of the 
philosophy, often with the idea or the philosopher personified with a 
mixture of theatre, storytelling, charismatic lecturing and dramatic 
monologue, all to illuminate the present in a devastating new light or 
sudden beautiful clarity.

Each piece is a unique adaptation / interpretation of an idea / 
original text performed by a professional storyteller (he is also one 
half of Widsith and Deor Storytelling Theatre who have performed at 
numerous festivals including Glastonbury, the Big Chill, Sunrise 
Celebration, Beautiful Days, etc.) inspirational lecturer (LSE Summer 
School, Exeter University, etc.) and writer (his most recent 
publication was a chapter in a Deleuze reader by Palgrave Macmillan) 
from memory as theatre.

Brochure copy reads * Matthew Hammond condenses and adapts ideas and 
books from the whole History of Philosophy, transforming them into 
powerful performance art. Accessible, startling, sometimes hilarious, 
often moving, and always inspirational, he jumps about the stage 
making theatre out of all those books you meant to read but never got 
around to.*

To see the show in action, the following link leads to a trailer on 
the website (and once finished, other videos from the YouTube channel);

The shows are unique, remarkable, theatrical, entertaining and 
powerful. Below are the coming dates with brochure copy, quotes, links 
and a performer bio.


FORTHCOMING DATES;

At the Northcott Theatre Exeter as part of the Laugh Out Loud Festival;
Sun 3 February 2013
8pm in the Theatre Bar
Tickets from;  http://www.exeternorthcott.co.uk/


And at the Bierkeller Theatre in Bristol on Monday 18th February;
Tickets from;   http://www.bierkellertheatre.com/


Quotes on Matthew Hammond the Stand Up Philosopher:

*Dynamic, dangerous and highly original.* performance poet and 
Wondermentalist Liv Torc.

*Just wanted to say a big thank you for coming up and performing at LitFest. Your performance went down really well, and was a real  talking point.* Andy Killeen, novelist and organizer of the PowWow 
Litfest.

*…a very dangerous man…loads of ideas kept popping into my head…* 
James Turner, Poet and Author of the poetry collection ‘Forgeries’

*Incredible intensity.* Audience member at Poetry Unplugged at the 
Poetry Café Covent Garden,

*Brilliant Brilliant Brilliant!!!* Dan Stratford, viewer of Deleuze 
for Beginners video on YouTube

*It's the second time I've seen you perform and I probably understand about 5% or less, but it's FANTASTIC! It's not like anything else, but so entertaining.* Audience member, Taking the Mic, Exeter Phoenix

Links:

Stand-up Philosophy Facebook group;

Performer's Blog;

YouTube Channel - Stand Up Philosopher Playlist;


Matthew Hammond – the Stand Up Philosopher
Matthew Hammond studied Anthropology at Cambridge and after graduating realized that philosophy was what he actually wanted to do. Perplexed as to how to proceed, he then trained as a maths teacher at Keele University and became a certified mathematician, working as a maths tutor so that he could study philosophy from 5am until 12pm most days, and be full time carer for the partner he met as a student, an ME sufferer. At 27 he inherited a crumbling C15th rectory, and started running an artistic community with an environmental / recycling emphasis, where visual artists, musicians and thinkers could live and work in the same place more sustainably. This led to being effectively foster parents/siblings to some very disturbed folks and having a heap of bizarre experiences, some of them pretty unpleasant. Eventually some positive-minded artists who used the space as it was intended to be used turned up, and the recycling and environmentally-minded arts collective the Cartwheels Collective was born, named after the decaying agricultural artefacts surrounding the property.

   As well as teaching maths and making a difference to the lives of hundreds of school pupils giving them confidence in maths and better grades, Matthew collaborated on art projects, did historical cookery for heritage and arts events, held workshops in willow and leather, and ended up teaching philosophy at Exeter University and LSE Summer School, being called an inspirational lecturer by his students. Such was his popularity, he even ended up teaching informal classes in philosophy in café bars at the weekends! - but was never going to fit tidily into academia because no one could ever make up their minds about his work, as nothing he did could ever be neatly likened to anything or fitted into a box; before becoming one half of Widsith and Deor Storytelling Theatre when his partner finally recovered, and performing at all kinds of festivals and events such as Glastonbury, the Big Chill and the Festival of History, for which he has made huge bodymasks and figures. Two years ago he started performing solo as well, and combined at last his two passions of philosophy and theatre as the Stand Up Philosopher, and has been performing as festivals and venues large and small from the HowTheLightGetsIn Festival of Philosophy and Music at Hay and the PowWow LitFest in Birmingham to the Hatherleigh Festival in Devon and the Poetry Café in Covent Garden.

   He has delivered papers at conferences in philosophy and literature at venues such as Warwick University, Greenwich University and the University of London. His publications include a chapter in ‘Deleuze and the Fold – a Critical Reader’, (edited by Sjoerd van Tuinen and Niamh McDonnell) and published by Palgrave Macmillan, a number of chapbooks, and his book of essays ‘Not What One Was - A Brief History of the Concept of Justice’. He has written over half a million words of philosophy and philosophical literary criticism, some of it on the web, but much of it still undrafted, as he is profoundly dyslexic which has hampered the drafting his writings considerably, but which has also ensured a phenomenal memory and a startlingly rhetorical style in the traditions of the Ancient Greek philosophers and the C16th Ranters. There is a theory that he was dropped on his head as a baby as his shirts often unbutton themselves and he is on his fifth copy of Spinoza’s ‘Ethics’ as the pages always mysteriously fall out…but his mother claims it was the drugs she was on while pregnant! His other interests include history, cooking and making monsters ‘as it’s better for you than alcoholism’…and possibly slightly cheaper. He calls himself ‘Philosophy’s only tribute act’.


Radio Shows:

Matthew Hammond co-presents a fortnightly programme on Phonic FM 106.8 and online, covering poetry, philosophy, history, legend, culture and curiosities called ‘Widsith and Deor presents…’. Shows have included the History of Philosophy, the Origins of the Idea of Democracy, Ancient Greek Philosophy, Dark Age Britain, The English Civil War, the Histories of the Saxon and the Norman Kings, Theatre, Cabaret and Circus, the novels of Jane Austen and Charles Dickens, history through the lens of art at Kensington Palace, etc.. Currently the programmes are charting the Kings and Queens of England from 800AD onward, and forthcoming is a performance of Geoffrey Hill’s poetry sequence ‘Clavics’ for which Enitharmon Press have given permission.

He is also the host of the weekly ‘Phonic Drama Show’ which has included plays from playwrights all over the UK and his own solo dramatic interpretations of Euripedes’ ‘The Bacchae’, the ‘Oresteia’ trilogy and other Greek tragedies. He has also presented startlingly original and powerful tellings of tales from many sources including the 1,000 Arabian Nights to Viking Gods, often to techno beats and classical music. His most recent show was an adaptation of a part of the C12th Njal’s Saga.


Weblinks;


Featured Video from the Stand Up Philosophy Playlist - Deleuze for Beginners; 

Stand-up Philosophy Facebook group;

Performer's Blog; 


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Alan Summers reading at The Jane Austen Pride and Prejudice Readathon at the Jane Austen Centre, City of Bath, England

Illustration by Hugh Thomson representing Mr Collins protesting that he never reads novels.

I am very excited to be reading an extract from Pride and Prejudice and urge many of you to enjoy the book yourselves. I've given links to Oxford World’s Classics edition of Pride and Prejudice, and the Jane Austen giftshop.


If you have never seen me read or give a talk before, you may enjoy this recording of a reading on another subject called Amazement of the ordinary, which was a TEDx talk I gave about haiku poetry:
http://tedxtalks.ted.com/video/Amazement-of-the-ordinary-life

The Jane Austen Pride and Prejudice Readathon at the Jane Austen Centre this coming Monday (28th January) is from 11am to 11pm. when we celebrate 200 years of this most famous of all books.

“It has one of the most famous opening lines in literature, it turned Colin Firth into a heartthrob and it spawned a zombie spin-off. Now Pride and Prejudice has reached the venerable age of 200.”
Tim Masters Entertainment and arts correspondent, BBC News
Pride and Prejudice: Jane Austen fans celebrate novel's 200th anniversary


Oxford World’s Classics edition of Pride and Prejudice:

Jane Austen giftshop:

Weblinks:



An illustration from Pride and Prejudice by
Hugh Thomson (1 June 1860 - 7 May 1920)
http://en.wikipedia.org/wiki/Hugh_Thomson
 
This is a live event,  and The Readathon will be linking up with different Jane Austen Societies throughout America and elsewhere throughout the day.

All of us at the centre will be offered the opportunity to dress in Regency costume to get us in the mood.

There will be several spots where Austen experts discuss various aspects of the book.

Many events will also occur at the Jane Austen Centre (40 Gay Street, Bath, BA1 2NT) and is currently closed to the public – it reopens on the 30th January.


Friday, January 18, 2013

Snow and winter haiku - in honour of the 2013 January snowy weather in the U.K.

Photograph of snow in Hull©Alan Summers 2010




snow flurry
a child thrusts his anorak
into it

Publications credits: Simply Haiku vol. 1 no. 3 (2003)



field of snow
the horses
back to back

Publications credits: Blithe Spirit vol. 19 no. 1 (2009); Haiku Friends Vol. 3 (Japan 2009)



snowed in
I watch the streetlamps
and dream of Narnia

Publications credits:
Blithe Spirit vol. 20 no. 4 (2010)




snowfall she takes her daffodils Underground

Publications credits:
Blithe Spirit vol. 19  no. 1 (2009); Does Fish-God Know (YTBN Press 2012)




powdered snow -
a crow’s eyes above
the no parking sign

Publications credits: The Mie Times, Japan (1999); Haiku International magazine (Japan 1999); Watermark: A Poet’s Notebook - Crows (2004); The In-Between Season (With Words Pamphlet Series 2012); Does Fish-God Know (YTBN Press 2012)

Award credit: Joint Winner, Haiku International Association 10th Anniversary Haiku Contest 1999




rook chatter
tracking each snowflake
to the end

Publications credits: Asahi Shimbun (2010)




solitary snowdrop
    inches
         in march snow

Publications credits: Azami Special Edition ed. Merrill Ann Gonzales (Japan 1995)




tilting at the world
the late morning finds
a smaller snowman

Publications credits: Blithe Spirit vol. 20 no. 4 (2010)




snowing
through the blizzard
particles of me

Publications credits:  The Haiku Calendar 2012 (Snapshot Press); The Humours of Haiku (Iron Press 2012) ; The In-Between Season (With Words Haiku Pamphlet Series 2012)

Award credits:
Winner, The Haiku Calendar Competition 2011 (Snapshot Press)



Gare du Nord
the slow change of snow
on fake fur

Publications credits: Blithe Spirit (Vol. 22 no. 2 May 2012)




snow globe-
we toast each galaxy
with margaritas

Publications credits: Prune Juice issue 9 July 15th 2012




thunder snow
the wind-shifting scent
of fox

Publications credits: fox dreams (April 2012) edited by Aubrie Cox


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Saturday, January 05, 2013

Mindful Writing Challenge January 2013 and Celebrating Issa, the classic haikai poet

Mindful Writing Challenge January 2013 has started, and I wanted to remember Issa who was so mindful about the aspects of wildlife many of us despise including all kinds of biting insects.

My tribute haiku to him though is about the famous haikai verse about the impermanence and transient aspects of life he called the world of dew, which also related to the tragic deaths of members of his family, including children.

tonight's world of dew
if a moment Issa's shade
would walk beside me
 
memorial haiku by Alan Summers



About Issa: http://haikuguy.com/issa/aboutissa.html
Issa Day: http://www.greenshinto.com/wp/2013/01/05/its-issa-day/

Although Issa Day is actually every November 19th in Japan, some celebrate today as well.

Here's an extra treat about Issa, including a wood carving of Issa, and a video by Robert Hass:
http://www.gwarlingo.com/2012/the-sunday-poem-kobayashi-issa-translated-and-read-by-robert-hass/


Issa Memorial Museum: http://en.kobayashi-issa.jp/










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"A must-have book for any haiku fan": Amazon review of Does Fish-God Know, gendai haiku and experimental short verse collection by Alan Summers, published by Yet To Be Named Free Press

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 Gratifying to see a review of my latest poetry collection (gendai haiku and experimental short verse) Does Fish-God Know at Amazon (UK).

Extract: 

" Beautiful and sometimes startling imagery is wrought throughout these thought-provoking pieces. Anti-pigeon spikes on cemetery gates and dirty moons inhabit the dark side of the soul, while tipsy/philosophical frames of mind are vividly conjured in haiku such as "vodka chilli cocktail" and "Sunday drunk".

So, Does Fish-God Know? Whether he/she does or doesn't, the quest to find out leads you on a compelling journey. A must-have book for any haiku fan."


weblink:
http://www.amazon.co.uk/Does-Fish-God-Know-Alan-Summers/dp/1479211044/ref=sr_1_1?ie=UTF8&qid=1357334929&sr=8-1




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Monday, December 31, 2012

Ryoan-Ji: a haikai sequence by Alan Summers published in Presence haiku magazine December 2012



Ryōan-ji


these rocks
I too float among clouds
looking for something

white gravel
each day the monks
rake ripples in time

pure pebble sound
I only know what is
and that is enough

silhouettes of bamboo
at the edge of the garden
we swap stories*

our sharp mysteries
the percussion of sand
over rocks**

falling snow moon
the slowness of shadows
caught in branches



* after the classic scenes of Ryōan-ji in Yasujirō Ozu’s film Late Spring, 1949
** after John Cage


Publications credits: Presence #47 (December 2012)

























Ryoan-Ji:
http://en.wikipedia.org/wiki/File:Kyoto-Ryoan-Ji_MG_4512.jpg

Description Ryoan Ji, Kyoto zen garden
Date May 2007
Source Own work
Author Cquest

A selection of haiku by Alan Summers over the latter part of 2012


rain on the river the jesus star shifting


Janice M Bostok Haiku Prize 2012 Anthology Evening Breeze




train whistle
a blackbird hops
along its notes


Publications credits:
Presence #47 (December 2012)




the childing autumn
I forget heartbreak
stains to violets


Publication Credits: Notes from the Gean Haiku Monthly (December 2012)



black rainbows?
mark her clock out
in cherries


Publication Credits: Notes from the Gean Haiku Monthly (December 2012)




cloud mountain
she screams her daughter's name
into the month of march


Publication Credits: Air, British Haiku Society Members’ Anthology (2012)




Maple moon
Grandmother’s recipe
settles in the pan


Publication Credits: Asahi Shimbun (Japan, November 2012); From the Icebox (December 2012, Hailstone Haiku Group, Japan)




green clouds
the scarecrow worries
a loose thread


Publication Credits: Asahi Shimbun (Japan 2012)



toy suns
the winter-dark rain
smashes the city


Publications credits:
Blithe Spirit (vol 23 no. 4 November 2012); Does Fish-God Know (YTBN Press 2012)



drifting rain 
my hundred autumn rooms 
to be alone


Publication Credits: Mainichi Shimbun (Japan, Oct. 2012)


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Changing Winter: a haikai verse sequence

 

Changing Winter


burnt toast
Jack Frost spreads
across the window

mythical river
all the colours of the sun
across the frosting

our storm in a teacup
there’s thirteen ways
to stop a hiccup

Santa’s Palace
a boy hands the snowman
over to his brother

climate change
a little girl's decision
about snowcastles


Publications credits: Inner Art Journal  (Winter issue 2012/2013)
http://innerartjournal.com/winter-2013/alan-summers/

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Alan Summers, one-line haiku in premier haiku magazine Roadrunner, plus haiku prize


Two of my one-line haiku were accepted for Roadrunner Haiku Journal, a premier publication on haikai literature.



Hirst's butterflies disturbing the exhibits people



chestnut moon shifting in my memory ghost floors


Publication Credits: Roadrunner 12.3 (December 2012)


I have a number of other haiku and short verse under various pseudonyms as part of the MASKS 4 feature.  There'll be a prize for the most guessed correctly.


Roadrunner Haiku Journal was founded and edited by Jason Sanford Brown beginning in 2004. With the first issue of 2009, Scott Metz took over as editor, and has since coedited with Paul Pfleuger, Jr.

R'r is an online journal seeking to publish the best and most diverse in English-language haiku (including senryu, zappai and short poetry inspired by haiku).

Various people have helped make Roadrunner become one of the foremost magazines about contemporary haiku including: Elizabeth Searle Lamb; Jim Kacian; Ferris Gilli; Miriam Sagan; and William J. Higginson.


Weblink to Damien Hirst, global and controversial artist: http://www.damienhirst.com/

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Tuesday, December 18, 2012

Alan Summers haiku featured at The Haiku Foundation Per Diem: Daily Haiku on the subject of childhood


sunlit sweat
the young vagrant
sucks a thumb

Alan Summers
Publications credits: Haiku Harvest  vol. 4 no. 1 (2003); Haiku Harvest: 2000 – 2006 (Modern English Tanka Press 2007); Does Fish-God Know (YTBN Press 2012)

Per Diem: Daily Haiku

The Haiku Foundation


December (31 poems): Children
How children move, exasperate and inspire us to look at life, our surroundings and ourselves. Editor: Sonam Chhoki

 

Saturday, December 15, 2012

Per Diem: Daily Haiku featuring haiku by Alan Summers on the subject of childhood


The Haiku Foundation's
Per Diem: Daily Haiku

December (31 poems): Children
How children move, exasperate and inspire us to look at life, our surroundings and ourselves. Editor: Sonam Chhoki



two boys giggle
as he enters the bike shop ...
the onion seller


Alan Summers



Publications credits: Blithe Spirit vol. 11 no. 3, 2001 (British Haiku Society Journal); Stepping Stones:  a way into haiku (British Haiku Society 2007)

Stepping Stoness:  a way into haiku
http://britishhaikusociety.org.uk/book-shop/stepping-stones/

2003 Bristol Onion Sellers: http://www.flickr.com/photos/brizzlebornandbred/5046971621/



The Haiku Foundation
Mission Statement
The impetus behind The Haiku Foundation was the realization that English-language haiku had done a poor job of promoting itself in two important venues: in gathering, interpreting, honoring and making available its comprehensive history, and in reaching beyond a coterie audience to establish its importance as a literary vehicle in the present and future. As a result, THF has two primary missions:

1) to archive our first century of English-language haiku; and
2) to expand possibilities for our second.

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Friday, December 14, 2012

Per Diem: Daily Haiku featuring haiku by Alan Summers on the subject of childhood


Per Diem: Daily Haiku

The Haiku Foundation


December (31 poems): Children
How children move, exasperate and inspire us to look at life, our surroundings and ourselves.
Editor: Sonam Chhoki


Throughout December a different haiku by different authors will explore what childhood is about, possibly our most important joy.

Per Diem: Daily Haiku

 


umbilical cord-
a space man’s first
baby steps
 
-- Alan Summers




Publications credits: “Rocket Dreams” commission Read/performed U.K. National Poetry Day October 4th 2007 with Space Historian Piers Bizony and NASA images at the Planetarium At-Bristol, as part of World Space Week:
http://bristolculture.files.wordpress.com/2012/08/at-bristol-planetarium-millennium-square.jpg 

The Haiku Foundation

Mission Statement

The impetus behind The Haiku Foundation was the realization that English-language haiku had done a poor job of promoting itself in two important venues: in gathering, interpreting, honoring and making available its comprehensive history, and in reaching beyond a coterie audience to establish its importance as a literary vehicle in the present and future. As a result, THF has two primary missions:

1) to archive our first century of English-language haiku; and
2) to expand possibilities for our second.


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Friday, December 07, 2012

Haiku by Alan Summers becomes an Editors' Choice Selection in a leading American haiku magazine.

The Heron’s Nest
Editors' Choices
Volume XIV, Number 4: December, 2012



lullaby of rain
another pinch of saffron
in the pumpkin soup


Alan Summers



Interestingly enough the above haiku is set in a 5 syllable 7 syllable 5 syllable pattern of English-language syllables which is rare amongst published haiku writers.   These haiku are possible if there is no padding out in words merely to make the syllable count, and where line breaks are utilised in a natural poetic fashion.

More about haiku as it's written today was studied in depth at:
Haiku and Tanka: Amazement & Intensity

Alan's Teacher Profile:
http://www.poetrycoop.com/poetry-workshops/teaching-artists
    
Alan also runs regular and popular online courses in haiku; tanka; haibun; and tanka prose etc... at With Words.

For further information, and quotes from previous participants: karen@withwords.org.uk


More about the haiku magazine:
The Heron’s Nest
"where tradition and innovation meet ... and complement each other"


The Heron's Nest, now in its fourteenth year of publication, is a quarterly online journal.

It is our intention to present haiku in which the outward form of each poem has been determined by two important elements.

The primary element is the poetic experience, faithfully and uniquely evoked in words.

The second element helps to shape the first; it is the poet's knowledge and respect for traditional haiku values.

When well balanced these elements result in work that is distinctively and unmistakably haiku.

"Poetic experiences" are those that inspire us to express ourselves creatively with words.

"Haiku values" are the traditional underpinnings, both Japanese and Western, by which haiku sensibility has evolved into what it is today, and which will continue to shape haiku traditions in the future.

—John Stevenson, Managing Editor

Here is my book review of John Stevenson's Live: Again

Previously published in Blithe Spirit, Journal of the British Haiku Society, and reproduced online at Haijinx magazine:
http://www.haijinx.org/IV-1/reviews/liveagain.html


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Tuesday, November 27, 2012

small kindnesses


small kindnesses
My small kindnesses are helping those with heavy luggage who forget they can use lifts/elevators at train stations. Also, I allow people to leave the train by not blocking them, as so many others do. Plus anyone smaller than the crowd, I make sure they can get onto a train first, and be able to put away any luggage, and find a nice seat, as I'm a big man I can discreetly block,  and so protect those less able.

dark morning...
the sushi bar opens up
for the train station

Check out Fiona's free book offer for today:
http://www.writingourwayhome.com/p/small-kindnesses-blogs-taking-part.html
 
All about small kindnesses we offer or receive:
http://www.writingourwayhome.com/2012/11/what-small-kindness-do-you-remember.html


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Monday, November 26, 2012

Selected Haiku by Alan Summers

A selection of haiku across the years from Alan Summers



bright breeze
a sighted person fingers
the statue’s eyes


Publications credits: City: Bristol Today in Poems and Pictures (Paralalia 2004); tinywords.com (USA 2007); Moonset Vol. 3 Issue 2 (Moonset Literary newspaper llc. USA 2007)

City: Bristol Today in Poems and Pictures:





Old Man’s Beard a cyclist wobbles the length of it

 (one line haiku)

Publications credits: a handful of stones (celebrating the extraordinary in the ordinary - the official small stone e-zine 2011); A Blackbird Sings, a small stone anthology ISBN 978-0-9571584-2-9 ed.  Fiona Robyn & Kaspalita Thompson (Woodsmoke Press 2012)




sunheat -
also parted in death
a ladybird’s wings

Publications credits: Blithe Spirit  vol. 8. no.3  (British Haiku Society Journal 1998); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)





Old Curiosity Shop -
lacquered dolls
out in the mid-day sun


Publications credits: Shamrock, Haiku Journal of the Irish Haiku Society (Ireland 2007)





white sails...
a wind has also shaped
the tree


Publications credits: Azami issues #21 #22 & 27 (Japan 1994 & 1995); Mainichi Shimbun (Japan 2005); a procession of ripples (USA 2006); tinywords.com (USA 2006); Aesthetics, (Bath Spa University, Summer 2007)





an attic window sill
a wasp curls
into its own dust


Publications credits: Woodpecker Special Issue, Extra Shuttle Issue ISSN 1384-6094  (Holland 1997); Snapshots Four  (1998); First Australian Online Haiku Anthology (1999); Haiku International 2000 Anthology, Japan ISBN 4-8161-0675-8 (2000); HaikuOz Information Kit (2001); The Omnibus Anthology, Haiku and Senryu, Hub Editions ISBN 1-903746-09-4 (2001); Cornell University, Mann Library, U.S. "Daily Haiku" poet (October 2001); tinywords.com (2002); Yomiuri Shimbun, Japanese newspaper (for my birthday, September 16th 2002); The New Haiku (Snapshot Press 2002); Raku Teapot: Haiku Book and CD pub. USA Raku Teapot Press in association with White Owl Publishing Book: ISBN 1-891691-03-1 CD:  ISBN 1-891691-04-X (2003); First Australian Haiku Anthology, Paper Wasp ISBN 0 9577925 9 X (2003); Yomiuri Shimbun Go-Shichi-Go Language Lab (Japan 2005); Swot, arts & literature magazine, Bath Spa University (2007); Travelogue on World Haiku Festival 2002 , Part 2  (Akita International Haiku Network Japan 2010); The Haiku Foundation USA haiku 2012 iTunes app


Award credit:
Highly Commended, Haiku Collection Competition, Snapshot Press (1998)
Joint 7th Best of Issue, Snapshot Five (1999)

Education:
HaikuOz Information Kit, the Australian Haiku Society’s Getting Started With Haiku (2001)





over the nettles
where I know I just can’t go
orange-tip butterfly


Publications credits: Presence issue 42 (2010)






almost lost
in the shimmer of water
several ducklings


Publications credits: Blithe Spirit vol.6 no.1 (British Haiku Society Journal 1996); "English/Japanese Haiku" article by Nobuyuki Yuasa read and translated for the Baiko Women's College (Japan 1996) by Nobuyuki Yuasa:  mizu haete  hikari ni kasumu  kogamo kana; "English/Japanese Haiku" by Nobuyuki Yuasa article (Blithe Spirit, British Haiku Society Journal vol.8 no.3 1998); First Australian online Anthology 1999; HI #42, Haiku International Association (Japan 2001); See Haiku Here (Japan 2001); tinywords.com (USA 2001); Flowers on a Shoe String  (Institute of Physics 2002); Wild Flowers, New Leaves, Ami-Net International Press (2002); Raku Teapot: Haiku  Book and CD pub. USA Raku Teapot Press/White Owl Publishing  (2003); First Australian Haiku Anthology, Paper Wasp ISBN 0 9577925 9 X  (2003); Haiku Pathway Katikati, Katikati Open-Air Art Inc. ISBN 0-476-00060-2  (2003); Yomiuri Shimbun  (Japan 2004);  See Haiku Here (Japan 2009); "water" haiga eBook series, ed. Kuniharu Shimizu (Japan, 2010); Haiku Pathway Katikati, Katikati Open-Air Art Inc. (10th Anniversary Edition 2010); The In-Between Season (With Words Pamphlet Series 2012)

Haiku Park Credit:
Haiku Pathway,  Katikati, North Island, New Zealand
handcarved into a river boulder 2000







the wind sways
a woven hat brim
once grass

Publications credits: Albatross, Contantza Haiku Society, Romania Issue vol III no. 1 Spring-Summer/No. 2 Autumn-Winter 1994; Moonlighting, British Haiku Society Profile (1996); sundog, an australian year (sunfast press 1997 2nd print 1998); California State Library USA

Haibun credit: The Crow Walk haibun HAIKU HIKE (World Walks) Part of Crossover UK's 2006 'Renewability' project (2006)





woodfire
flickering in the silence
corralled horses

Publications credits: Modern Haiku vol. xxvi  no. 3 (USA 1995); Moonlighting  (Intimations Pamphlet Series British Haiku Society Profile, 1996); sundog haiku journal: an australian year  (sunfast press 1997 reprinted 1998); California State Library USA - 1997; First Australian Haiku online Anthology (1999); First Australian Anthology (Paper Wasp 2000); Haiku Dreaming (Australia 2006); The Crow Walk haibun (HAIKU HIKE, World Walks, Crossover UK 'Renewability' project 2006)); Stepping Stones:  a way into haiku ISBN 978-0-9522397-9-6  (British Haiku Society 2007)




the rain
almost a friend
this funeral


Publications credits: Azami #28 (Japan 1995); Snapshots 4 (1998); First Australian online Anthology (October 1999): Blithe Spirit article On minimalism and other things  DJ Peel Vol 9 No.3 (British Haiku Society Journal 1999); tempslibre (Belgium 2001); Cornell University, Mann Library, U.S.A. "Daily Haiku" (Oct 2001); The Omnibus Anthology, haiku and senryu  (Hub Haiku series 2001); Hidden (British Haiku Society Anthology 2002); The New Haiku (Snapshot Press, 2002); First Australian Haiku Anthology (2003); Birmingham Words Magazine Issue 3 (Autumn 2004); seven magazine feature: “Three lines of simple beauty”  (2006); tempslibre (Belgium 2010); Blogging Along Tobacco Road: Alan Summers - Three Questions (2010); Travelogue on World Haiku Festival 2002 , Part 2  (Akita International Haiku Network, Japan 2010);  The Temple Bell Stops: Contemporary Poems of Grief, Loss and Change (Modern English Tanka Press USA 2012); The Haiku Foundation USA haiku app for iPhone/iPad/iPod Touch (2011); The In-Between Season (With Words Pamphlet Series 2012)

Award credit:
Highly Commended, Haiku Collection Competition, (Snapshot Press 1998)
Joint 9th Best of Issue, Snapshot Five (1999)




all my mistakes
each click of the pen
the robin moves


Publications credits: Presence #24 (2004);  "D'un ciel a l'autre" Anthologie de haiku de l'Union Europeenne, (Edition de l'Association francaise de haiku 2006); Seven By Twenty twitter-length fiction and poetry magazine (2011)





Oxford Street
the sweet chestnut vendor’s
blackened fingers


Publications credits: Snapshot Press Haiku Calendar 2011
Award credit: Runner up, Snapshot Press Haiku Calendar 2010




vigilante movie
my elbow
heavy on your knee

Publications credits: Symmetry Pebbles (2011); The Humours of Haiku (Iron Press 2012 ISBN 978-0-956572-54-7); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)







open window
the cat dozes
half in half out


Publications credits: Presence 3  (1996); Woodpecker, Extra Shuttle Issue  (Holland 1997); Iron Book of British Haiku, (Iron Press 1998, Third print 2000  ISBN-10: 0906228670 / ISBN-13: 978-0906228678); tinywords.com (USA 2001); The Haiku Calendar 2002 (Snapshot Press); Raku Teapot: Haiku Book/CD (USA Raku Teapot Press/White Owl Publishing 2003)

Award credits:
Runner-up, The Haiku Calendar Competition 2001 (Snapshot Press)




late deadline
keeping owl hours
with the mice

Publications credits: haijinx volume IV, issue 1 (USA 2011)





snowing
through the blizzard
particles of me


Publications credits: 
The Haiku Calendar 2012 (Snapshot Press); The Humours of Haiku (Iron Press 2012 ISBN 978-0-956572-54-7 )

Award credits:
Winner, The Haiku Calendar Competition 2011 (Snapshot Press)





netsuke...
the hare with amber eyes
jumps back in again


Publications credits: Mainichi Shimbun (Japan 2011)

Award Credits: Honourable Mention, Best of Mainichi 2011 (Japan)





bouncing rain
I force the hotel window
a little wider


Publications credits:
Blithe Spirit (British Haiku Society Journal 2012); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)






fading stars
a hedgehog haphazards
its way back home


Publications credits: The Heron’s Nest (USA 2012)





thunder snow
the wind-shifting scent
of fox



Publications credits: Fox Dreams (USA 2012 ed. Aubrie Cox)





dandelion wind
mending bridges
in the mist

Publications credits:  Blithe Spirit (British Haiku Society Journal Vol 22 No. 3 2012); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)


dandelion wind haiku by Alan Summers translated into Farsi:


باد پر قاصدک
مرمت کردن پل
در غبار

 
bade por ghasdak
maremat kardan pol 
dar ghobar


Farsi translation by Reza Aerabi





rain on the river–
when does white become
its darkest colour


Publications credits: Haiku News (online newspaper written in the Japanese poetic form of haiku: the personal is the political is the poetical 2012)





sleep disorder
the gas station lights
keep me company


Publications credits: Blithe Spirit (British Haiku Society Journal 2012)





toy suns
the winter-dark rain
smashes the city


Publications credits: Blithe Spirit (British Haiku Society Journal 2012); Does Fish-God Know (Yet To Be Named Press 2012 ISBN-10: 1479211044)





green clouds
the scarecrow worries
a loose thread


Publication Credits: Asahi Shimbun (Japan 2012)






drifting rain 
my hundred autumn rooms 
to be alone


Publication Credits: Mainichi Shimbun (Japan 2012)






cloud mountain
she screams her daughter's name
into the month of march


Publication Credits: British Haiku Society Member’s Anthology, Air (2012)




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Friday, November 02, 2012

Alan Summers will be giving a TEDx talk with haiku as its subject


'CRAFTING THE UNEXPECTED' 
TEDxBradfordonAvon is an independently organised event. The aim is to bring together speakers from fields as diverse as engineering and haiku poetry to act as catalysts  for participants to explore creativity in its widest sense. The theme is 'Crafting the Unexpected'.

Speakers and participants come from a wide range of disciplines including engineering, sculpture, contemporary art, advertising, film direction, haiku poetry, screenplay writing, music and education.  

TED stands for: 
Technology, Entertainment, Design. 

TED itself, is an annual event where some of the world's leading thinkers and doers are invited to share what they are most passionate about.  Speakers have included Bill Clinton, Bill Gates, Jane Goodall, Frank Gehry, Paul Simon, Sir Richard Branson, Philippe Starck and Bono. 

All TED talks are uploaded onto the Internet. This is a key factor in spreading and sharing ideas. Please visit www.ted.com

The TEDx weblink:
http://www.tedxbradfordonavon.com/


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