Online internet courses by Call of the Page

Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.

Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.

Call of the Page (Alan & Karen)
Showing posts with label childhood. Show all posts
Showing posts with label childhood. Show all posts

Tuesday, January 16, 2018

Bones - a journal for contemporary haiku - retrospective from a founding editor / editor emeritus - haiku submissions

I'm honoured to have been a founding editor of Bones journal for contemporary haiku along with Sheila Windsor & Johannes S.H. Bjerg.

Submissions now welcome for 2018
January 15 - February 15 for the March 15th 2018 issue
http://www.bonesjournal.com/submission.html

Archives (Free PDF issues of Bones):
http://www.bonesjournal.com/archive.html


haiku from the last issue by Alan Summers
Bones journal co-founding editor (2012-2015)

Intimations sequence by Alan Summers



   
Alan Summers
co-founding editor/editor emeritus 2012-2015

Submissions now welcome for 2018
January 15 - February 15 for the March 15 2018 issue
http://www.bonesjournal.com/submission.html

Archives (Free PDF issues of Bones):
http://www.bonesjournal.com/archive.html

Friday, January 08, 2016

Alan Summers - haiku collected and updated for 2016 in the world's largest database for haiku: The Living Haiku Anthology




A selection of my haiku has been updated to give a cross section from 1994 to January of this year:


From the romantic:


The Night Train

of paper rock scissors

you sleep into me
 
Anthology Credit: c.2.2. Anthology of short-verse ed. Brendan Slater & Alan Summers
(Yet To Be Named Free Press 2013)


To undertones of Greek mythology:


night of small colour

a part of the underworld

becomes one heron
 
Publication Credit: Modern Haiku Vol. 45.2  Summer 2014
Anthology credit: Haiku 2015 (Modern Haiku Press, 2015)


And other old tales:


old tales
moon-bright leaves
jostle the breeze
 
Publication Credit:
Wild Plum 1:1 (Spring & Summer 2015)


Dreams, childhood, magic, the battle torn, train journeys, and when we are graced, the love of birdsong, love and pain, and more:


snowline
the topography
of tears
 
Publication Credit: Edge - BHS Anthology 2015



And the sheer beauty of natural scenery where we like being made to feel small, and in awe:


far off Helvellyn snow the nouns of verbs 
 
Publication Credit: Blithe Spirit 25.4 (2015)

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Tuesday, December 18, 2012

Alan Summers haiku featured at The Haiku Foundation Per Diem: Daily Haiku on the subject of childhood


sunlit sweat
the young vagrant
sucks a thumb

Alan Summers
Publications credits: Haiku Harvest  vol. 4 no. 1 (2003); Haiku Harvest: 2000 – 2006 (Modern English Tanka Press 2007); Does Fish-God Know (YTBN Press 2012)

Per Diem: Daily Haiku

The Haiku Foundation


December (31 poems): Children
How children move, exasperate and inspire us to look at life, our surroundings and ourselves. Editor: Sonam Chhoki

 

Friday, December 14, 2012

Per Diem: Daily Haiku featuring haiku by Alan Summers on the subject of childhood


Per Diem: Daily Haiku

The Haiku Foundation


December (31 poems): Children
How children move, exasperate and inspire us to look at life, our surroundings and ourselves.
Editor: Sonam Chhoki


Throughout December a different haiku by different authors will explore what childhood is about, possibly our most important joy.

Per Diem: Daily Haiku

 


umbilical cord-
a space man’s first
baby steps
 
-- Alan Summers




Publications credits: “Rocket Dreams” commission Read/performed U.K. National Poetry Day October 4th 2007 with Space Historian Piers Bizony and NASA images at the Planetarium At-Bristol, as part of World Space Week:
http://bristolculture.files.wordpress.com/2012/08/at-bristol-planetarium-millennium-square.jpg 

The Haiku Foundation

Mission Statement

The impetus behind The Haiku Foundation was the realization that English-language haiku had done a poor job of promoting itself in two important venues: in gathering, interpreting, honoring and making available its comprehensive history, and in reaching beyond a coterie audience to establish its importance as a literary vehicle in the present and future. As a result, THF has two primary missions:

1) to archive our first century of English-language haiku; and
2) to expand possibilities for our second.


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