Online internet courses by Call of the Page

Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.

Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.

Call of the Page (Alan & Karen)
Showing posts with label Journeys 2015. Show all posts
Showing posts with label Journeys 2015. Show all posts

Monday, February 27, 2017

The Passion of Haibun online course - combining prose and haiku poems into a unique and challenging new medium



We run haibun courses off and on throughout the year, here's one just starting (March 2018), and we are maintaining the early bird rate:  https://www.callofthepage.org/learning/online-courses/haibun-courses/





The Passion of Haibun - 
A Call of the Page  online course:
Haibun is an alchemy of combining prose with haiku poems to create a unique genre of writing: It’s equally at home in poetry; creative short fiction/flash fiction; and creative non-fiction; as well as journal writing; nature writing; diary writing; and in other forms of art. 

Answer the call of the page, the call of the wild!  It’s about rewriting/rewiring the world.
- Alan Summers, 
President, United Haiku and Tanka Society
co-founder of Call of the Page. 






“We're all there trying to make the story…as good as it can be. It's a constant struggle to get it down, get it clear, and understand that your intentions are the same, whether you're [a beginner] writing a short story or a writer with seven published novels. The continually reassuring thing is that we're all novices when we start a new work.”
   
Paraphrasing Alice McDermott (Inducted into the New York Writers Hall of Fame, 2013)


“You have to be passionate about your subject…to write a quality haibun…pieces that kept [you] awake at night… I want to be startled by all the elements of a haibun (title, prose, haiku, tanka). I want haibun that compel me to read them again and again as I strive to learn something new about what it is like to be a human being.”
   
Paraphrasing Glenn G. Coats, Some Thoughts about Haibun
Contemporary Haibun Online (January 2017, vol 12 no. 4)


We are poets always in interesting times, and the haibun mix of prose or even prose poetry combined with the short verses of haiku that are “pockets of now”, and cemented into the present, feels vitally appropriate, and in keeping with our evolving and changing societies. - Alan Summers

"Create dangerously, for people who read dangerously. ... [Write] knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them." —Edwidge Danticat


Is this you? If so, you belong on this course. You don’t think this is you? Then you equally belong on this course. 
- Alan Summers

***

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
—Sylvia Plath

As we have entered and gone beyond the second decade of the 21st Century, perhaps it is time to look back, look forward, and never moreso than looking uncritically at everything happening from family to work to social history.
- Alan Summers

“There is no greater agony than bearing an untold story inside you.” —Maya Angelou

If the course is over-subscribed we will create a waiting list for you as it’s too important not to have you as part of The Passion of Haibun. You are too important to be left out. 
-Alan Summers

Do you realize that all great literature is all about what a bummer it is to be a human being? Isn’t it such a relief to have somebody say that? —Kurt Vonnegut


***

Breaking down the invisible (in haibun)
   
With a slight shift, a momentary aside, a shuffle of cards, legerdemain, the author leaves the main story to dive into side alleys. But how is the ‘real’ narrative still kept when we diverge from the main story? How we do we maintain the momentum, the blood flow? 

Blood vessels include arteries, capillaries, and veins which are responsible for transporting blood throughout the body.
Source: Boundless. “Arteries, Veins, and Capillaries.”  26 May. 2016.

The poetry dynamic within haibun is as much about what we think is the main story; it’s those nano-stories or even “broken narratives” that haiku can be, hiding on the sidelines, that just require the torch and touch of prose to bring them alive, and equally in turn they tend to light up the prose in other ways perhaps not possible with a straight linear narrative of prose. 
— Breaking down the invisible (in haibun) by Alan Summers

***

“Perhaps I write for no one. Perhaps for the same person children are writing for when they scrawl their names in the snow.” —Margaret Atwood

"Writing saved me from the sin and inconvenience of violence." —Alice Walker

"I do what I do, and write what I write, without calculating what is worth what and so on. Fortunately, I am not a banker or an accountant. I feel that there is a time when a political statement needs to be made and I make it."
—Arundhati Roy

Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. 
-Franz Kafka

“Know what you write more than write what you know.” Paraphrased from Annie Proulx


***

Carolyn See said: 
“Every word a woman writes changes the story of the world, revises the official version.”
Emma Cueto adds:
Because let's face it, the "official version" of the world could do with some revising. (Plus, the world could always do with more good books, whether they're by men or women).


***

“A word after a word after a word is power.”
—Margaret Atwood

Do you have the call of the page in your blood, and a passion? Join us on this new online course; haibun needs you, even if you don’t know it yet. - Alan Summers

For more information please contact Karen:







Journeys 2015: 

















Journeys 2017:


.
Other links:

The Thoughtful Raven - haibun (haiku+prose) - after Ted Hughes and The Thought Fox - Kurt Jackson and The Thoughtful Raven (Charcoal and ink sketch 2007) - ekphrastic poem | haiku | haibun:


Including a short history of haibun:

Alan's haibun that appears in Journeys 2015:

Friday, August 19, 2016

International online haiku courses - Individual and group feedback for haiku; tanka; haibun; and tanka stories / tanka prose

New!



With Words is now known as "Call of the Page"

For information about our 2020 courses please do not hesitate to email Karen and Alan at:
admin@callofthepage.org

Courses and one-to-one feedback plus Skype conversations:
https://www.callofthepage.org/courses/













Our new website:




***



OLD/ORIGINAL POST
The With Words online haiku courses, and related genres of tanka, haibun, tanka prose, and tanka stories - for September to December 2016.  

Please see details below.







With Words runs a number of online courses throughout the year:

Japanese Form Free-for-All!  

Pick your favorite Japanese form from tanka, senryu, haiku, haibun or tanka prose, and submit three times over two months.  A chance to see what your fellow writers are doing; what excites them about each form, and spread your Japanese form ‘wings'.  Optional prompt materials on inspiring subjects are offered for each assignment.

In-depth feedback is given on all work by Alan, and lesson prompts are written by Karen.

LEVEL:  intermediate; improvers.
GROUP SIZE: up to 6.
START DATE (for receipt of materials):  Monday 19th September 2016
FULL COST: £95 or US$125 
EARLY BIRD COST: £80 or US$105 (if paying by Monday 5th September 2016)
BOOKING: by payment via PayPal to alan@withwords.org.uk



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Haiku Beginners - Group Online Course

This is a new course.  

We were keen to introduce a purely entry level course, not only for people who are looking specifically to learn about writing haiku, but for those who are inspired to try this short form as a manageable way in to starting creative writing.  

With this course, we enjoy getting back to basics.  We will learn what to watch out for when reading haiku, and begin to write snippets, ready to write complete haiku by the end of the course.  

Participants should have at least three finished haiku by the end of the course, and ideas for continuing their writing.  

The course ends with an optional 20-minute phone or Skype chat with Alan to answer any outstanding questions about haiku in general or the student's work.

This is a really useful foundation course for beginners, and those who are between newcomers, beginners, and intermediate.  Highly recommended to get you grounded in what makes contemporary haiku tick!

LEVEL:  beginners at haiku, or beginners at creative writing.
GROUP SIZE: up to 6.
START DATE:  To be confirmed.  Please let us know if you would like to be put on the notification list.

Haiku - Group Online Course

This haiku course is suitable for those with some experience of either creative writing or haiku already, as it is quite advanced and technical (see below for haiku beginners). Participants submit three poems three times over the two-month course (total 9 poems) and may also add a couple of rewrite poems for final comments during that time.  The course ends with an optional 20 minute phone or Skype chat with Alan to answer any outstanding questions about haiku in general or the student's work.

LEVEL:  intermediate; improvers.
GROUP SIZE: up to 6.
START DATE (for receipt of materials):  Thursday 29nd September 2016
FULL COST: £95 or US$125 
EARLY BIRD COST: £80 or US$105 (if paying by Thursday 15th September 2016)
BOOKING: by payment via PayPal to alan@withwords.org.uk.
This particular course, Haiku - Group Online Course for intermediate and improvers is SOLD OUT!

Look out for news about the next intermediate/improvers haiku by us.

***

One to One Individual feedback

Feedback on your haiku on a one-to-one basis at any time, minimum booking ninety minutes.  

If you wish to book a block of hours (for instance for help with editing/creating a collection) then price reductions start with four hour bookings.

Call of the Page 
formerly known as With Words:
With Words running online courses in haiku (and other related genres) since June 2009, and in-person courses at various venues since 1999. 

Alan regularly has participants on his courses from around the world including USA; Canada; New Zealand; Australia; Singapore; Europe; U.K.; India etc…

"Thank you for your feed back. You make things seem so clear ...  So enjoyed reading the others' work too."  MB

"I have enjoyed the course tremendously and know that I will return to Alan's notes frequently as I continue to write tanka."  J

This course has been a really great experience for me. I have absorbed all the feedback and it has had an important impact on my writing.  I agree with everything Alan has said regarding my haiku and it is amazing that Alan has put his finger on every little shade and "flaw" of my haiku in such a detailed way.”  ML

“Trying to distil very personal moments and memories into a few lines is something I have never attempted before, in fact never thought of before - and for that I thank you.”  AS

“Hi Alan - thanks so much for this … I really had no idea there was so much to this art, and I'm completely fascinated. Your comments are extremely perceptive.”  MK




Alan Summers: Bio

Alan is Director/Lead Tutor of With Words, an international provider of literature, education and literacy projects, and With Words online workshops based around the Japanese genres. 

He is also the President of the United Haiku and Tanka Society: http://www.unitedhaikuandtankasociety.com/biographies.html

He is the editor of the forthcoming publication:
Writing Poetry: the haiku way (2017)

He has been an expert on English-langauge haiku (and other Haikai Literature) for 25 years. Alan is a Recipient of the Japan Times Award (2002) for both haiku and renku, and the Ritsumeikan University of Kyoto Peace Museum Award for haiku (1998).

Alan is a Pushcart Prize nominated poet regularly a Teaching Artist at the USA-based Poetry Barn organisation for Haiku and Tanka, and also for Haibun (later in 2013).

Alan has been the haiku poet-in-residence for Cornell University, Mann Library: http://tinyurl.com/cornell-AlanSummers

He is a TEDx Speaker: Amazement of the ordinary- life through a haiku lens:
http://www.youtube.com/watch?v=LxLTiR7AKDE

Alan was also invited to give a talk at Haiku News:
http://haikunews.bandcamp.com/album/episode-1-alan-summers-feb-2013

He is a founding editor for Bones Journal (contemporary haiku): http://www.bonesjournal.com/,  and Haiku/Haibun Special Feature Editor, Lakeview International Journal of Literature and Arts.

Alan has been
•    General Secretary of the British Haiku Society (1998-2000)
•    Panel of Judges: The Biennial Sasakawa Prize for Original Contributions in the Field of Haikai (Sasakawa Foundation U.K. and British Haiku Society)
•    Embassy of Japan, (2009) Roving “Japan-UK 150 Haiku & Renga Poet-in-Residence”
•    Co-ordinator of The 1000 Verse Renga Project in partnership with Bath Libraries (U.K.) and supported by the BBC Poetry Season website
•    Bath Spa University undergraduate development project Haiku poet-in-residence (Autumn 2006 - Summer 2007)
•    Panel of Editors for the award-winning annual Red Moon Anthologies for best haikai literature (2000-2005)
•    Foundation Member of the Australian Haiku Society
•    a founding editor with Haijinx, showcasing humor in haiku

He was also co-founder/co-organizer, and Literature Director, of the 2010 Bath Japanese Festival.

Alan is published in around 100 haiku anthologies; and published in over fifteen languages including Japanese, and British Sign Language.

Japanese newspaper publications:
Yomiuri Shimbun; Asahi Shimbun; Mainichi Shimbun; The Japan Times; and The Mie Times.

"Astonishingly moving haiku"
 
YOMIURI SHIMBUN (Japan) January 2005

"Widely known haiku poet...as dry as vintage champagne"
YOMIURI SHIMBUN (14 million readers in Japan) September 2002



Anthologies include various leading haiku anthologies including the Norton poetry anthology on haiku: 

Haiku in English: The First Hundred Years ed. Jim Kacian, Allan Burns & Philip Rowland with an Introduction by Billy Collins (W. W. Norton & Company 2013) http://books.wwnorton.com/books/Haiku-in-English/  



•    ‘Haiku World: An International Poetry Almanac’  
Kodansha International, Japan, ed. William Higginson ISBN 4770020902 (1996)

•    Iron Book of British Haiku 
(Iron Press; ISBN: 0906228670 First published 1998, Third print 2000) 
•    Stepping Stones:  a way into haiku  
    (British Haiku Society, 2007, ISBN 978-0-9522397-9-6)
•    The Humours of Haiku (Iron Press 2012) ISBN 978-0-9565725-4-7


Co-Editor of various Haiku-based anthologies including:

•    Parade of Life: Poems inspired by Japanese Prints ISBN: 09539234-2-8 (Poetry Can/Bristol Museum and Art Gallery/Japan21/Embassy of Japan 2002)

•    The Poetic Image - Haiku and Photography (Birmingham Words/National Academy of Writing Pamphlet 2006)
•    Fifty-Seven Damn Good Haiku by a Bunch of Our Friends (Press Here 2010 USA) ISBN 978-1-878798-31-2 
•    Four Virtual Haiku Poets (YTBN Press 2012) ISBN-10: 1478307544 ISBN-13: 978-1478307549
•    c.2.2. an anthology of short-verse poetry and haiku (YTBN Press 2013) ISBN-10: 1479304565 ISBN-13: 978-1479304561
•    Quest Gallery Through a glass darkly catalogue with haiku section by Alan Summers (July 2012)

Four Haiku Collections: 
•    “Does Fish-God Know” (YTBN Press 2012) 

“A must-have book for any haiku fan.”
Tracey Kelly, Chicago/Bath musician/journalist

“Thank you for writing such a vital work.” 
Paul David Mena, author of Tenement Landscapes (New York) published by Happa-no-Kofu (The Leaf-Miner Press) just after September 11 2001 



•    The In-Between Season  With Words Pamphlet Series (2012)
•    Sundog Haiku Journal: an Australian Year (Sunfast Press 1997 reprinted 1998) California State Library - Main Catalog Call Number: HAIKU S852su 1997
•    Moonlighting  British Haiku Society Intimations Pamphlet Series (1996)




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