Online internet courses by Call of the Page

Are you interested in a Call of the Page course? We run courses on haiku (beginner and intermediate, and advanced). We also run workshops and courses on tanka; tanka stories/prose; haibun; shahai; and other genres.

Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.

Call of the Page (Alan & Karen)

Saturday, April 28, 2012

Alan Summers wins the New York based World Monuments Fund organisation's 2012 Haiku Contest


World Monuments Fund is the leading independent organization dedicated to saving the world’s most treasured places: 
http://www.wmf.org/content/about-us


I was delighted to hear that I had won this competition as place names hold such potency in poetry, and in particular, haiku.

The winning haiku by me was about Battersea Power Station: http://www.wmf.org/get-involved/haiku-contest-winners

the moon is broken
Battersea Power Station 
from a train window

Award credit: 1st Prize, World Monuments Fund 2012 Haiku Contest winner

Also published in:
  
Article: 
The Moon is Broken: Juxtaposition in haiku article Scope vol. 60 no. 3 (FAWQ  magazine April 2014)

Publication Credit: 

THF Per Diem collection “Light and Dark” December 2014

N.B. Also the haiku is in a pattern of 5-7-5 English-language syllables.


 Please read below about copyright information on this photograph.

Results of the names of the winners are now up, and the haiku will go up alongside images and biographies in early May:
http://www.wmf.org/get-involved/haiku-contest

Awards
First Prize, $100; Second Prize, $75; Third Prize, $50, and three semi-finalists. All six winning haiku to be published on the World Monuments Fund web site.

Winners
First Prize: Alan Summers
Second Prize: Mark Ynys-Mon
Third Prize: Elizabeth Brewster Thomas


Semifinalists:
Jennifer Burd
John Tiong ChungHoo
Janet Kirchheimer


Adjudication

Annie Finch has published numerous books of poetry, including Calendars (Tupelo Press, 2003, The Encyclopedia of Scotland (Salt Publishing, 2008), Among the Goddesses (Red Hen Press, 2010), Eve (Storyline Press, 1997), and Spells: Selected Poetry, forthcoming from Wesleyan University Press. Her poetic collaborations with music, visual art, opera, and theater have been produced at Poets House, Chicago Art Institute, Carnegie Hall, American Opera Projects, and the Metropolitan Museum of Art. Finch’s books about poetry include The Body of Poetry (University of Michigan Press, 2005), A Formal Feeling Comes (New Edition, Word Tech Editions, 2008), An Exaltation of Forms (University of Michigan Press, 2002), and, most recently, co-edited with Marie-Elizabeth Mali, Villanelles (Everyman’s Library Pocket Poets, 2012), as well as the poetry-writing textbook, A Poet’s Craft (University of Michigan Press, 2010). She is Director of the Stonecoast MFA program at the University of Southern Maine.

In an interview in FULCRUM Magazine, Finch notes: “Like architecture, poetry is an art that creates habitable structures within uninhabitable expanses through the use of repetition, proportion, and pattern. The poet, like the architect, is joyfully and painfully aware of both the provisional nature, and the complete necessity, of such habitable structures." Read her poem "On Poetry and Architecture".


image copyright information
Description
Battersea Power Station, which when completed will have a capacity of about 240,000 kilowatts. The first part was in operation in January 1934.
Approximate date of photograph: 1934
Date 1938
Source Scan from Foreword by E. Royston Pike (1938) Our Generation London: Waverley Book Company
Author Andy Dingley (scanner)

Permission
(Reusing this file)
Public domain logo This UK artistic work, of which the author is unknown and cannot be ascertained by reasonable enquiry, is in the public domain because it is one of the following:
  • A photograph, which has never previously been made available to the public (e.g. by publication or display at an exhibition) and which was taken before 1st January 1942; or
  • A photograph, which was made available to the public (e.g. by publication or display at an exhibition) before 1 January 1942; or
  • An artistic work other than a photograph (e.g. a painting), which was made available to the public (e.g. by publication or display at an exhibition) before 1 January 1942.
This tag can be used only when the author cannot be ascertained by reasonable enquiry. If you wish to rely on it, please specify in the image description the research you have carried out to find who the author was.
The above is all subject to any overriding Publication right which may exist. In practice, Publication right will often override the first of the bullet points listed.
This tag does not apply to engravings or musical works. Unpublished anonymous paintings remain in copyright until 1 January 2040. More information.

 

Post a Comment