Alan Summers, Japan Times Award (2002), President, United Haiku and Tanka Society, and co-founder of Call of the Page, providing literature, education & literacy projects, often based around Japanese genres. For events & workshops contact us through our Call of the Page website: Call of the Page.
Online internet courses by Call of the Page
Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.
Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.
Call of the Page (Alan & Karen)
Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.
Call of the Page (Alan & Karen)
Showing posts with label swallows. Show all posts
Showing posts with label swallows. Show all posts
Monday, April 21, 2014
A little selection of haiku poems by Alan Summers
breaking up–
the winter landscape
of sunlit horses
Alan Summers
Selected by Isamu Hashimoto November 04, 2013 (Mainichi Japan); Best of Mainichi 2013
long rainy season
another song thrush
returns to itself
Alan Summers
Publication Credit: Acorn Issue #32 Spring 2014
a cluster of grasshoppers
unravel
the rain shadow
Alan Summers
Publication Credit: NOON | journal of the short poem ISSUE 8 (January 2014) ISSN 2188-2967
Sacred Chao...
the winter duck keeps
its circle of water
Alan Summers
Publication Credit: Blithe Spirit 24.1 (2014)
sacred chao: http://en.wikipedia.org/wiki/Discordianism#Sacred_Chao
the grass grows dark
a lamentation of swans
shape my world
Alan Summers
Publication Credit: Blithe Spirit 24.1 (2014)
my amber resin exit button
Alan Summers
moongarlic E-zine, Issue: 1 November 2013 ISSN 2052-675X
soft desert rain
the droppings of leaf-hopper insects
from the tamarisk tree
Alan Summers
Publication Credit: brass bell: a haiku journal issue 1 April 2014
glass waste
the changes in rain
across birdsong
Alan Summers
Publication Credit:
Writers & Lovers Café, A HAIKU JOURNAL Hsinchu City, Taiwan Volume I, Number 1 Fall 2013 ISSN 2309-3315
leaves of the book...
travelling the blue atlas
on ember clouds
Alan Summers
Publication Credit:
cattails Premier Edition: January 2014
each of us born
with a number of breaths-
swallow flight
Alan Summers
Publication Credits:
Pulse—voices from the heart of medicine (inaugural haiku, October 2013)
epidermal tongues-
she scales my 200 bones
on a banana leaf
Alan Summers
Publication Credits: Pulse—voices from the heart of medicine 2014
.
Saturday, January 25, 2014
A small selection of sky haiku by Alan Summers
haiku by Alan Summers, artwork by Angelee Deodhar |
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each of us born
with a number of breaths-
swallow flight
Alan Summers
Publication Credits:
Pulse—voices from the heart of medicine (inaugural haiku,
October 2013)
bleu roi
a thousand flying foxes
quarter the moon
Alan Summers
Anthology credit:
Haiku World: An International
Poetry Almanac ed. William Higginson (Kodansha International 1996)
https://www.amazon.com/Haiku-World-International-Poetry-Almanac/dp/4770020902
https://www.amazon.co.uk/Haiku-World-International-Poetry-Almanac/dp/4770020902
Tribute: The Heron’s Nest Volume X, Number 4 (December, 2008 Celebrating Bill Higginson)
https://www.amazon.com/Haiku-World-International-Poetry-Almanac/dp/4770020902
https://www.amazon.co.uk/Haiku-World-International-Poetry-Almanac/dp/4770020902
Tribute: The Heron’s Nest Volume X, Number 4 (December, 2008 Celebrating Bill Higginson)
down side streets -
gulls turning the sky
in and out
Alan Summers
Publication credits: Presence
10 (1999)
Anthology credits: The New Haiku (Snapshot Press, 2002); The Disjunctive Dragonfly, a New Approach to English-Language Haiku by Richard Gilbert (Red Moon Press 2012) [Elemental Animism p80]; Haiku in English: The First Hundred Years. ed. Jim Kacian, Allan Burns & Philip Rowland (W. W. Norton & Company 2013)
Feature: seagull haiku blog collection ed. laryalee fraser (2006)
Anthology credits: The New Haiku (Snapshot Press, 2002); The Disjunctive Dragonfly, a New Approach to English-Language Haiku by Richard Gilbert (Red Moon Press 2012) [Elemental Animism p80]; Haiku in English: The First Hundred Years. ed. Jim Kacian, Allan Burns & Philip Rowland (W. W. Norton & Company 2013)
Feature: seagull haiku blog collection ed. laryalee fraser (2006)
Award Credit: Haiku Presence webpage Editor's Choice 5
in the river reflection
he watches himself
watch the sunset
Alan Summers
Publication credit: paper wasp (Australia, Spring/Oct 1997)
Anthology: Haiku Enlightenment ed. Gabriel Rosenstock
Cambridge Scholars Publishing, 2009
ISBN (10): 1-4438-0521-1, ISBN (13): 978-1-4438-0521-6
Page 54: There is a relaxed feeling of lightness – karumi – in the above haiku, employing everyday syntax and easily recognised imagery. Karumi became Basho’s ideal in the final phase of his development. Comment by Gabriel Rosenstock
Anthology: Haiku Enlightenment ed. Gabriel Rosenstock
Cambridge Scholars Publishing, 2009
ISBN (10): 1-4438-0521-1, ISBN (13): 978-1-4438-0521-6
Page 54: There is a relaxed feeling of lightness – karumi – in the above haiku, employing everyday syntax and easily recognised imagery. Karumi became Basho’s ideal in the final phase of his development. Comment by Gabriel Rosenstock
bent
into his overcoat
the winter sky
Alan Summers
Publication credits: Still
(1998)
Award credits: Runner up, still magazine haiku competition (1998)
malibu sunset -
a disposable camera
lifted to the birds
Alan Summers
Publication credits: In Buddha’s Temple (March 2002)
Award credits: 2nd Place, In Buddha’s Temple (2002)
misted over river
the Humber Bridge
links to Heaven
Alan Summers
Publications credits: haijinx volume IV, issue 1 (2011)
hard-blue sky
the ghost touch of rain
on sloe-eyed horses
Alan Summers
Publications credits: BlitheSpirit (Vol 22 No. 3 2012)
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Labels:
Basho,
bleu roi,
camera,
embers,
flying foxes,
foxes,
gulls,
haiku,
Haiku in English: The First Hundred Years,
horses,
Hull,
Humber,
karumi,
Malibu,
moon,
Norton,
reflections,
sky,
streets,
swallows
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