Online internet courses by Call of the Page

Are you interested in a Call of the Page course? We run courses on haiku; tanka; tanka stories/prose; haibun; shahai; and other genres.

Please email Karen or Alan at our joint email address: admin@callofthepage.org
We will let you know more about these courses.

Call of the Page (Alan & Karen)
Showing posts with label online haiku courses. Show all posts
Showing posts with label online haiku courses. Show all posts

Sunday, January 15, 2017

The online intermediate haiku course starts February 2017

New!

The online intermediate haiku course for starting 2017 off with a bang!  


LEVEL:  Suitable for those who have already started out writing haiku.

GROUP SIZE: up to 6.

START DATE (for receipt of materials):  Thursday 2nd February 2017

EARLY BIRD COST: £80 or US$105 (if paying by Thursday 26th January 2017)

FULL COST: £95 or US$125 


BOOKING: your place is immediately confirmed when we receive your payment via PayPal to alan@withwords.org.uk.

We will confirm confirmation of your payment and place on the course.

If you need further information please contact Karen at: admin@callofthepage.org






Our Intermediate Haiku Course:
  
Haiku (plural and singular spelling) are the shortest of all short verses, with an intended arrangement of words to draw on an emotional reaction from a reader. The intention is to create an effect far greater than the sum of the actual number of words used.

“…a haiku often juxtaposes two [different] objects and challenges the reader to make an imaginary connection between them.”
From the Preface viii, Light Verse from the Floating World by Makoto Ueda
Columbia University Press, New York 1999

Traditionally haiku are rooted in the seasons, and half the poem is written by adding a season. But haiku are also ideal for both nature and urban observations, and as a kind of short-hand for remembering events. 

Haiku can also make for excellent ecological and environmental writing, as well as being highly therapeutic. 

Plus they can also work out both our ‘right’ and the ‘left’ side of the brain which is a useful exercise to help stave off memory deterioration.

Haiku is like a Golden Thread and this course will help you find it throughout our time together.

More about the online intermediate haiku course

This haiku course for up to six participants is suitable for those with experience of either creative writing or haiku already. Participants have three sessions over two months where they submit three poems each time (total 9 poems).  In the second and third submissions there is also an opportunity to submit a rewritten poem for further comment.  The course ends with an optional 20 minute phone or Skype chat with Alan to answer any outstanding questions about haiku in general or the student's work.

More about Alan Summers, your workshop leader:

His latest book Writing Poetry: The Haiku Way is due out later in 2017.

More about Karen Hoy, the course organiser:
http://area17.blogspot.co.uk/2017/01/selected-haiku-from-karen-hoy.html


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Also available throughout each year is our popular individual feedbacks when you want fast feedback for a magazine or competition, or collection:

Feedback on your haiku on a one-to-one basis at any time, minimum total booking ninety minutes which can be spread over a period of submissions.

If you wish to book a block of hours (for instance for help with editing/creating a collection) then price reductions start with four hour bookings.


Collections with themes:
Themocracy: The Themocrats and their Concept Albums
Four book reviews by Alan Summers of writers who weave theme: http://haikureality.theartofhaiku.com/bookrew69.htm 



Call of the Page, formerly known as With Words, will be starting more of its 2017 range of courses based around haiku and related genres later in the New Year/Spring.

Call of the Page, formerly known as With Words.
We have been running online courses in haiku (and related genres) since June 2009, and day schools and residential in-person courses at various venues since 1999. 

Alan regularly has participants on his courses from around the world including USA; Canada; New Zealand; Australia; Singapore; Europe; U.K.; India etc…

"Thank you for your feed back. You make things seem so clear ...  So enjoyed reading the others' work too."  MB

"I have enjoyed the course tremendously and know that I will return to Alan's notes frequently as I continue to write tanka."  J

“This course has been a really great experience for me. I have absorbed all the feedback and it has had an important impact on my writing.  I agree with everything Alan has said regarding my haiku and it is amazing that Alan has put his finger on every little shade and "flaw" of my haiku in such a detailed way.”  ML

“Trying to distil very personal moments and memories into a few lines is something I have never attempted before, in fact never thought of before - and for that I thank you.”  AS

“Hi Alan - thanks so much for this … I really had no idea there was so much to this art, and I'm completely fascinated. Your comments are extremely perceptive.”  MK




Alan Summers: Bio

Alan is Lead Tutor of the new organization Call of the Page, an international provider of literature, education and literacy projects, formerly known as With Words.

Just this January (2017) he became the new President of UHTS:









































For a more extensive biography see:
http://area17.blogspot.co.uk/2017/01/happy-new-year-and-brand-new-honour.html

His latest book Writing Poetry: The Haiku Way is due out later in 2017.


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Saturday, July 06, 2013

Alan Summers : events, readings, online poetry courses including haiku online workshops and tanka online workshops




















I'm a Japan Times award-winning writer with over 20 years experience in haiku and tanka poetry, and I enjoy working with people around the world who are intrigued by these two short verse genres.

Alan Summers, Director and Lead Tutor, With Words
International Online Haiku Courses:
http://area17.blogspot.co.uk/2013/06/online-haiku-course-early-bird-rate.html

International Online Haiku and Tanka Courses:
http://area17.blogspot.co.uk/2013/03/dates-for-next-online-haiku-tanka.html

For futher information about dates later in the year for online courses and workshops, both one-to-one and small groups please don't hesitate to send an email to Karen at: karen@withwords.org.uk

Live and Local (UK)
I also do occasional writing group presentations (talks; readings; workshops) and live events.  For further information drop Karen a line at: karen@withwords.org.uk






Alan Summers speaking about haiku at a TEDx event:
http://area17.blogspot.co.uk/2013/06/transcript-from-tedx-video-amazement-of.html


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Wednesday, June 19, 2013

TED Talk : Transcript from the TEDx video: Amazement of the Ordinary: Life through a haiku lens by Alan Summers



TED is a nonprofit devoted to Ideas Worth Spreading. It started out (in 1984) as a conference bringing together people from three worlds: Technology, Entertainment, Design: http://www.ted.com/pages/about

Amazement of the Ordinary talk on haiku: https://www.youtube.com/watch?v=LxLTiR7AKDE



Transcript from the TEDx video:
Amazement of the Ordinary:  
Life through a haiku lens

“We see things not as they are, but as we are.”
That’s a quote from the Talmud, an ancient text, containing opinions of thousands of rabbis on a variety of subjects.

Now I’m sure many of us have been there, overlooking the ordinary because we feel it’s… well ordinary… mundane, boring, annoying, a distraction, or mostly unnoticed in our busy schedules.

I’d like to talk about how a tiny practice of reading or writing haiku, the world’s shortest type of poetry, can add an extra depth to our world.

I’m adding examples of my own haiku poems to attempt to inject some lateral shift time, as in our linear lives some of us can rarely take time to step off, safely, we’ve just got to keep going even if it kills us, even if it alienates those we love.

Lateral shift?   Bending time?  No.  

It’s just that sometimes we are only aware of how long time is if
1) it’s horribly boring, or
2) we are in great danger. 

This could be your third choice, your third option, and all without a safety net, to have something parallel on your timeline.

mist haze-
a crow cleans its beak
on a rooftop aerial

Ah, perhaps you are a driver, worried you might miss the early morning sights and sounds of birds getting up for their own day ahead?

traffic jam
a driver fingers the breeze
through the sunroof

One of the world’s greatest short story writers, Raymond Carver, back in the old century, wrote about people who worried whether their cars would start in the morning; about unemployment and debt; of individuals who make our day to day life tick.  He never pretended a wonderland still existed but said:  “a writer sometimes needs to be able to just stand and gape at this or that thing—a sunset or an old shoe—in absolute and simple amazement.”



Are we not writers of our own life, writing out cheques, or pin numbering our way to coffee and snacks;  those last minute remembered bunch of flowers at a supermarket, to filling our cars with petrol to get somewhere…

an attic window sill
a wasp curls
into its own dust

…and however much we can afford a mortage, or need to pay the landlord…


the rain
almost a friend
this funeral

As the 1931 song says: "Brother, Can You Spare a Dime?"

Brother, Sister, can you spare yourself a haiku moment?

sunlight breaks
on a bird
and its portion of the roof


A day consists of 86 thousand and 400 seconds: A haiku is six seconds. 



Try bending some time, maybe on your travels, catching a…

train whistle
a blackbird hops
along its notes



Mary Oliver, a poet, said, from When Death Comes:

When it’s over, I want to say: all my life
I was a bride married to amazement.

I don’t want to end up simply having visited this world.



I’d like to end with this last haiku, that takes less than six seconds to say,

and, time me if you’d like…



      this small ache and all the rain too robinsong



–end–

Other links:
http://tedxtalks.ted.com/video/Amazement-of-the-ordinary-life
 


Online courses in haiku and related genres:

Japan Times award-winning writer Alan Summers regularly teaches haiku and tanka, and other popular online courses.  

For more details please contact Karen at:  admin@callofthepage.org






haiku poetry publication credits:


mist haze-
a crow cleans its beak
on a rooftop aerial


First publication credit: 
Azami journal issue 38 ed. Ikkoku Santo (Osaka, Japan 1996)
Other credits: The Haiku Calendar 2003 (Snapshot Press); Watermark: A Poet’s Notebook - Crows (2004)

Anthology credit: First Australian Online Anthology (1999): Wing Beats: British Birds in Haiku (Snapshot Press, 2008)
Feature: Cornell University, Mann Library, U.S.A. "Daily Haiku" poet (October 2001)

Award credit:
Runner-up, The Haiku Calendar Competition 2002 (Snapshot Press)



traffic jam
a driver fingers the breeze
through the sunroof

Publication credits: Snapshots 2 (1998); tinywords.com (2002)
Anthology credit: The New Haiku (Snapshot Press, 2002)
Feature: Travelogue on World Haiku Festival 2002, Part 2  (Japan, Akita International Haiku Network 2010)




an attic window sill
a wasp curls
into its own dust

Haiku of Merit: Ginko & Kukai event, London, England with Professor Hoshino Tsunehiko (1997)


Publication credits:
Woodpecker Special Issue, Extra Shuttle Issue (Holland, 1997); Snapshots Four  (1998); Swot, arts & literature magazine, Bath Spa University (2007);  Yomiuri Shimbun, Japan (for my birthday, September 16th 2002); tinywords (2002)

Award credit:
Highly Commended, Haiku Collection Competition, Snapshot Press (1998); Joint 7th Best of Issue, Snapshot Five (1999)

Article: Travelogue on World Haiku Festival 2002 , Part 2  (Akita International Haiku Network, Japan 2010)

Anthologies:
First Australian Online Haiku Anthology (1999); Haiku International 2000 Anthology (Japan 2000); The Omnibus Anthology, Haiku and Senryu, Hub Editions (2001); The New Haiku, Snapshot Press (2002); Raku Teapot: Haiku Book and CD, Raku Teapot Press in association with White Owl Publishing Book (2003); First Australian Haiku Anthology (Paper Wasp 2003)

Feature/Showcase:
Cornell University, Mann Library, U.S. "Daily Haiku" poet (October 2001)

Japanese newspaper article:
Yomiuri Shimbun Go-Shichi-Go On-Line Language Lab (Japan, 2005)

iPad/iPhone/iTunes:
The Haiku Foundation haiku 2012 app

Education: 
HaikuOz Information Kit  HaikuOz, the Australian Haiku Society Getting Started With Haiku.



the rain
almost a friend
this funeral

Award credit: Highly Commended, Haiku Collection Competition, (Snapshot Press 1998)
Joint 9th Best of Issue, Snapshot Five (1999)
Publication credits: Azami #28 ed. Ikkoku Santo (Osaka, Japan, 1995); Snapshots 4 (1998); tempslibre (2001); Birmingham Words Magazine Issue 3 (Autumn 2004); tempslibre (2010)
Anthology credits: First Australian online Anthology (October 1999); The Omnibus Anthology, haiku and senryu  (Hub Editions Hub Haiku series 2001); Hidden (British Haiku Society Anthology 2002); The New Haiku (Snapshot Press, 2002); First Australian Haiku Anthology (2003); The Temple Bell Stops: Contemporary Poems of Grief, Loss and Change ed. Robert Epstein (Modern English Tanka Press 2012); iTunes The Haiku Foundation THFhaiku app for iPhone/iPad/iPod Touch (2011)
Article: Blithe Spirit article On minimalism and other things  DJ Peel Vol 9 No.3 (1999); Travelogue on World Haiku Festival 2002, Part 2  (Japan, Akita International Haiku Network 2010)
Collection credit: The In-Between Season (With Words Pamphlet Series 2012)

Featured Poet: Cornell University, Mann Library, U.S.A. "Daily Haiku" (Oct 2001); Blogging Along Tobacco Road: Alan Summers - Three Questions (2010); Charlotte Digregorio's Writer's Blog Daily Haiku, June 17, 2015

Magazine feature: seven magazine feature: “Three lines of simple beauty” (2006)

la pluie
presqu'une amie
ses funérailles

la pluie
presqu'une amie
à cet enterrement

haiku: Alan Summers

French trans. Serge Tomé

Temps Libre analysis in French:





sunlight breaks
on a bird
and its portion of the roof



hi   wa   torini   yane   no   ibasho   ni   sosogi   keri
Romanised version (Romaji) trans.
Hiromi Inoue, Masegawa Kawauchi town, Ehime Prefecture, Japan

Publication credit:
Haigaonline vol. III (2003)
Anthology: Haiku Friends ed. Masaharu Hirata  (Japan 2003)




train whistle
a blackbird hops
along its notes

First publication credit:
Presence journal #47 (2012)

Anthology credits: 
naad anunaad: an anthology of contemporary international haiku ed. Shloka Shankar, Sanjuktaa Asopa, Kala Ramesh (India, 2016)

Last Train Home, an anthology of haiku, tanka and rengay ed. Jacquie Pearce (2020)



In Swedish:

tågvissla
en koltrast skuttar
längs med dess toner

trans. Marcus Liljedahl
Gothenburg, Sweden


theevandiude choolam
oru karutha pakshi thulli
athin swarangalil

Malayalam translation by Narayanan Raghunathan (2012)



neruppu vantiyin choolam
oru karuppu paravai thulliyatu
antha svarangalil

Tamizh translation by Narayanan Raghunathan (2012)


train seeti
ek kale rang ki chidiya naachti
vah svar lahiri me

Hindi translation by Narayanan Raghunathan (2012)


sifflet du train
un merle sautille
au long de ses notes

French translation by Serge Tomé





this small ache and all the rain too robinsong



Note: single line haiku also known as a one-line haiku or monoku

Publication credit: Modern Haiku vol. 44.1 winter/spring 2013
Anthology credit: naad anunaad: an anthology of contemporary international haiku ed. Shloka Shankar, Sanjuktaa Asopa, Kala Ramesh (India, 2016)


robin subsong: 

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